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Starcrash1979LP: Carerre CA 631.67333 (French)
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This is the most recent CD (Jan 2009) from BuySoundtrax. It appears to be pretty much identical except track 4, "Launch Adrift," which is twenty seconds longer here, and the inclusion of a seven minute suite of incidental music.
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The MovieI saw this in the theater—how sad is that? As I mentioned in my review of Moonraker, in 1979 I was sci-fi nuts and I went to see anything that had space ships and lasers and such. Unfortunately this was one of them. Caroline Munro was Stella Star, a string-bikini-clad intersteller heroine in what was supposed to be a bunch of James Bond-type movies. Caroline Munro was great eye-candy but it wasn't enough. Marjoe Gortner and David Hasselhoff, who seem like nice people in interviews, are in an awful lot of bad movie and shows and should be considered ill omens. I think this is on most people's short lists of the worst movies ever made. |
The MusicI have no idea why Barry made this film—he must have owed a lot of money to Vinnie the Shark. I suppose he did the best he could with what was on screen (nothing), but I don't think the score is worth much either. It sounds like the stuff you hear on British sci-fi series from the early 70's. |
Release NotesThe LP was released in Europe but never made it out in the UK or North America. The fact that the movie sank faster than the Titanic probably had something to do with that. It wasn't until Silva Screen decided to pair it up with Until September that it got a wide release—this time on CD. I am not aware of the music showing up on any compilations, though it is part of a couple of bootlegs, usually matched up with other space operas like The Black Hole. In Jan 2009, BSX released a new CD. The music cues are the same, within a second here and there, except for a slightly longer "Launch Adrift" and an additional track at the end: a 7-minute suite. The suite combines versions of "Space War" and "Goodbye Akton." Personally, I think it's the best track on the CD. I've never been very fond of this soundtrack, but the suite combines two pieces, one slow and rather melancholy, and one bright and upbeat: and they're the most Barry-esque on the album. |