Somewhere in Time |
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Original Soundtrack1980LP: MCA Records MCA-5154
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Re-recording1998Performed by the Royal Scottish Orchestra
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The MovieI saw around the time that it came out, and can't remember much of it except that as a romance, it didn't make me sick. Christopher Reeve, before the accident, was in-between Superman gigs. In this one, he's a playwrite who becomes obsessed with a photo of a stage actress (Jane Seymour) from the turn of the century. He uses self-hypnosis to travel back in time and find her, does so, and they fall in love. This was written by Richard Matheson, who is most famous for his Twighlight Zone stories and the more recent What Dreams May Come. Jane Seymour was at her peak hottie factor in this film. |
The MusicThis was another huge hit—the music did better than the movie, at least in the long run. It sold big, it continues to sell as a CD, and its music is often performed. Guys: this is a good "romantic" CD to have on the shelf. The story goes that when Barry was hired, the director wanted to use Paganini. Barry talked him out of it and into using Rachmaninov's "Rhapsody on a Theme by Paganini" instead. |
Release NotesThe LP came out with the movie and sold very well. The original CD version later came out but many considered the quality substandard, and MCA put out an "ultimate masterdisc" version of it, though with no new music. Recently, John Debney re-recorded the score and released his own version of the album on Varese. The All Music Guide is very complimentary toward this release: Recorded in 20-bit digital audio by John Debney and the Royal Scottish National Orchestra, this is the best account ever given of that score ironically, MCA/Universal, which distributes Varese Sarabande, also has out the original soundtrack as a full-priced item in its catalog, though the latter has never been upgraded from its late-'80s remastering and offers less music than is present here. Every section of Barry's music not just the vastly lyrical romantic passages, which are the obvious focus for most listeners is given a beautifully expansive reading. The darker sections, such as "June 27th," "Room 417," and "The Attic," benefit from the playing of the full-size symphony orchestra, which offers more virtuosity than the MCA pick-up orchestra could ever bring to this music. La La Land records released a limited edition, expanded score including a lot of alternate cues and source music. Jon Burlingame wrote the liner notes. Michael Crawford performs a vocal version of the title song on a compilation album entitled EFX. |